Upscaling is the task of taking a low-resolution image (or video) and increasing its resolution while adding plausible new detail that is not present in the original. This is essential for using AI-generated content in finished work, because most generation models output at 1024x1024 or 1536x1536, but a final delivery for print or 4K video needs much higher resolution.
There are two main approaches to upscaling: classical and generative. Classical upscalers (like Real-ESRGAN) use specially trained neural networks to interpolate between pixels in plausible ways, but they cannot add detail that was not present in the original, they can sharpen what is there but cannot invent new texture or features. Generative upscalers (like Topaz, Magnific, and the newer diffusion-based upscalers) use diffusion models to literally generate new detail at higher resolution, conditioned on the lower-resolution input.
Topaz (Topaz Labs)
Topaz is the long-established player in this space, going back many years before AI image generation was a thing. Their Gigapixel AI product upscales images, and Video AI does the same for video. Topaz uses proprietary models trained on enormous datasets of paired low- and high-resolution content. The output is generally very natural and well-suited to photographic content. Topaz models are widely used in professional photography and video post-production workflows.
Magnific
Magnific is a newer service that uses diffusion-based upscaling specifically for AI-generated content. It can take a 1024x1024 AI image and upscale it to 4K or beyond, adding meaningful new detail in the process, making rough textures sharper, refining facial features, and generally giving the image a 'finished' quality that pure interpolation cannot achieve. It is one of the headline upscaling services accessible through Krea.
Krea Enhancer and ComfyUI workflows
Krea has its own built-in upscaling and enhancement features, and ComfyUI has a rich ecosystem of upscaling nodes (using SD-based upscalers, ESRGAN models, and various community techniques). For users running local workflows, the ComfyUI ecosystem is the most flexible option; for users on Krea or similar platforms, the built-in enhancers are usually good enough.
Upscaling is one of those areas where the technology has been relatively mature for a few years, there are clear winners and the marginal improvements are diminishing. Most production workflows include an upscaling step at the end, and most users have settled on either Topaz (for photographic content) or Magnific (for AI-generated content), with ComfyUI as the power-user option.
The generative end of upscaling has its own fast-moving frontier. ByteDance's SeedVR2 restores and upscales both images and video while preserving natural texture rather than smearing it, and fal's open AuraSR, a reproduction of the GigaGAN upscaler, put GAN-based four-times super-resolution within an API call. For very large targets the working trick is tiled diffusion, upscaling an image in overlapping patches and stitching them, which is how a ComfyUI graph pushes a generation to sizes a single pass could never hold in memory. The one judgment that never goes away is the reconstruction-versus-hallucination question from the top of this section: a tool that invents detail makes concept art sing and makes a product shot legally and visually wrong, so the choice of upscaler is really a choice about how much invention the shot can tolerate.